It's time to celebrate a little with one of the great fruits of American culture: jazz.
Because, beyond our political challenges, this nation has many bountiful gifts to enjoy and cherish.
Thelonius Monk is one of them, a member of the jazz pantheon. And remember, jazz is perhaps America's greatest indigenous muscial gift to the world
From a New York Times review of the 1988 film, "Straight, No Chaser":
"Augmenting the original film are more recent interviews with Thelonious Monk Jr.; the tenor saxophonist Charlie Rouse; Monk's longtime manager Harry Colomby; his European road manager Bob Jones, and his friend the Baroness Nica de Koenigswarter. From them we learn that Monk remained an enigma even to those closest to him. Thorny and taciturn, with occasional flashes of very dry humor, he was obviously conscious of his mystique and played off of it. But he was also acutely sensitive and moody and perhaps a manic-depressive. Illness eventually made it impossible for him to perform, and he gave his last public performance in 1976, six years before his death. At the time ''Straight, No Chaser'' began to be compiled, he was too ill to be interviewed for the film.
The film's late-60's portions, which document a European tour and also catch Monk playing in clubs and in recording sessions, are some of the most valuable jazz sequences ever shot. Closeups of Monk's hands on the keyboard reveal a technique that was unusually tense, spiky and aggressive. Other scenes show him explaining his compositions and chord structures, giving instructions in terse, barely intelligible growls that even his fellow musicians found difficult to interpret.
The Monk music that courses through the film is extraordinary in its range of feeling. A tumultuous performance of his most famous composition, '' 'Round Midnight,'' suggests a kind of jazz-musical Cubism, while pop songs like ''I Should Care'' are rendered with a biting poignancy."
So sit back and enjoy a documentary that is a time capsule of smoky, brilliant jazz. Many conjecture that Monk was bi-polar, for which there is some evidence in this film.
But if genious is many times associated with bi-polar illness, then surely Monk is evidence of that theory, as "Straight No Chaser" clearly reveals.
Thelonious Monk - Straight No Chaser (DVD)
Director Charlotte Zwerin

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Description | back to top
"Product Description
Thelonious Monk: Straight No Chaser. Filmmaker Bruce Ricker couldn't believe his luck. Michael and Christian Blackwood's extensive 1968 footage of the groundbreaking modern jazz pianist and composer Thelonious Monk, including the only footage of the very private Monk off stage, was in excellent condition. The reels were, in Ricker's words, "just sitting there like the Dead Sea Scrolls of jazz." Ricker, as co-producer, joins director and fellow producer Charlotte Zwerin (Gimme Shelter), executive producer Clint Eastwood and others to bring these scrolls to astonishing life. Their Thelonious Monk: Straight No Chaser combines the Blackwood's rare footage of Monk in studio on tour and behind the scenes with new interviews, archival photos and more to create a landmark aural and visual treat.Tunes in order of appearance: Evidence; Rhythm-a-ning; On the Bean; Round Midnight; Well, You Needn't; Bright Mississippi; Blue Monk; Trinkle, Tinkle; Rhythm-a-ning; Ugly Beauty; Ask Me Now; Just a Gigolo; Crepuscule with Nellie; I Should Care; We See; Osaka T.; Evidence; Epistrophy, Don't Blame Me; Ruby, My Dear; I Mean You; Lulu's Back in Town; Off Minor; Pannonica; Boo Boo's Birthday; Misterioso; Monk's Mood; Sweetheart of All My Dreams; Round Midnight."
Other Reviews | back to top
"A recurrent image in Charlotte Zwerin's remarkable documentary, ''Thelonious Monk: Straight, No Chaser,'' is of the jazz pianist slowly spinning around in what appear to be deliberate attempts to disorient himself. Although the film offers no explanation for this penchant, the picture of the pianist whirling like a child playing games with himself is an apt metaphor for his revolutionary piano style. As the abundant musical soundtrack illustrates, his spare, knotty pianism, with its restless stop-start rhythms and percussive insistence, maintained a perspective on life and art that was defiantly off-center, obsessively exploratory and deeply personal."
-- Stephen Holden, The New York Times
Details | back to top
Format: Color, NTSC
Language: English
Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
Aspect Ratio: 1.33:1
Number of discs: 1
Studio: Warner Home Video
DVD Release Date: January 30, 2001
Run Time: 89 minutes
DVD Features:
Available Subtitles: English, Spanish, French, Portuguese
Available Audio Tracks: English (Dolby Digital 2.0 Stereo)
ASIN: B000053VC9
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