"How do we read R. Crumb's "The Book of Genesis Illustrated"? It seems a contradiction: a sober reconstruction by a man who admits he "[does] not believe that the Bible is 'the word of God.' " And yet, the further we get into this electrifying adaptation, the more it all makes sense. If you remove divinity from the equation, "Genesis" becomes a human creation -- "a powerful text," in Crumb's words, "with layers of meaning that reach deep into our collective consciousness, our historical consciousness, if you will." These stories are sacred, then, not because they were handed down by any deity but because they speak to the elemental conflicts that drive us as women and men."

-- LA Times


It’s a cartoonist’s equivalent of the Sistine Chapel. It’s awesome. Crumb has done a real artist’s turn here—he’s challenged himself and defied all expectation. ... I’ve read Genesis before. But never have I found it so compelling. By placing it squarely in the Middle East—and populating it with distinctively Semitic-looking people—Crumb makes it come alive brilliantly.
-- Morning Edition, NPR

Starred Review. Crumb’s vivid visual characterizations of the myriad characters, pious and wicked, make the most striking impression. His distinctive, highly rendered drawing style imparts a physicality that few other illustrated versions of this often retold chronicle have possessed. The centenarian elders show every one of their years, and the women, from Eve to Rachel, are as solidly sensual as any others Crumb has so famously drawn.
--Booklist

"Now, readers of every persuasion—Crumb fans, comic book lovers, and believers—can gain astonishing new insights from these harrowing, tragic, and even juicy stories. Crumb’s Book of Genesis reintroduces us to the bountiful tree lined garden of Adam and Eve, the massive ark of Noah with beasts of every kind, the cities of Sodom and Gomorrah destroyed by brimstone and fire that rained from the heavens, and the Egypt of the Pharaoh, where Joseph’s embalmed body is carried in a coffin, in a scene as elegiac as any in Genesis. Using clues from the text and peeling away the theological and scholarly interpretation that have often obscured the Bible’s most dramatic stories, Crumb fleshes out a parade of Biblical originals: from the serpent in Eden, the humanoid reptile appearing like an alien out of a science fiction movie, to Jacob, a “kind’ve depressed guy who doesn’t strike you as physically courageous,” and his bother, Esau, “a rough and kick ass guy,” to Abraham’s wife Sarah, more fetching than most woman at 90, to God himself, “a standard Charlton Heston-like figure with long white hair and a flowing beard.”

From Religion Dispatches:

But, as every student of the Bible knows, there’s no such thing as a reading without interpretation. A big challenge from the start: how should God be depicted? In an interview with Time, Crumb explains that he considered rendering God as a light emerging from a cloud, or coyly recontextualizing him as a black woman, but in the end settled on a more pedestrian bearded and robed figure that he says resembles his father: “if you actually read the Old Testament,” he told Time, “he’s just an old, cranky Jewish patriarch.”