The Reviews of the latest book by the remarkable Dave Eggers speak for themselves:

“Imagine Charles Dickens, his sentimentality in check but his journalistic eyes wide open, roaming New Orleans after it was buried by Hurricane Katrina.... Eggers’s tone is pitch-perfect—suspense blended with just enough information to stoke reader outrage and what is likely to be a typical response: How could this happen in America?... It’s the stuff of great narrative nonfiction.... Fifty years from now, when people want to know what happened to this once-great city during a shameful episode of our history, they will still be talking about a family named Zeitoun.” —Timothy Egan, The New York Times Book Review

“Zeitoun is a riveting, intimate, wide-scanning, disturbing, inspiring nonfiction account of a New Orleans married couple named Abdulrahman and Kathy Zeitoun who were dragged through their own special branch of Kafkaesque (for once the adjective is unavoidable) hell after Hurricane Katrina.... [It’s] unmistakably a narrative feat, slowly pulling the reader into the oncoming vortex without literary trickery or theatrical devices, reminiscent of Mailer’s Executioner’s Song but less craftily self-conscious in the exercise of its restraint. Humanistic, that is, in the highest, best, least boring sense of the word.”
—James Wolcott, Vanity Fair

“A fiercely elegant and simply eloquent tale.... So fierce in its fury, so beautiful in its richly nuanced, compassionate telling of an American tragedy, and finally, so sweetly, stubbornly hopeful.”
— Susan Larson, New Orleans Times-Picayune

“A major achievement and [Eggers’] best book yet.”
— Andrew Ervin, Miami Herald

“A wrenching, human story of family, faith and, ultimately, hope.... Dave Eggers is an important writer with a big heart.” — The Globe and Mail (Toronto)

“The sheer momentum, emotional force and imagistic power of [Zeitoun]... seeks both to inspire and outrage.... Ingenious.” — Salon

"Eggers' sympathy for Zeitoun is as plain and real as his style in telling the man's story... he simply lets the surreal and tragic facts speak for themselves."
— Chris Nashawaty, Entertainment Weekly

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